The Japanese House double review : Pools to Bathe in // Clean

Amber Bain, the musical genius behind The Japanese House, creates music filled with synth, vocal layering, and salient lyrics. There isn’t much information out there on The Japanese house, except a few interviews and articles. But this only seems to add to the appeal of London based artist. So far she has released two EPs, supported The 1975 on their recent tour, and is even with the same record label as them.

Pools To Bathe In

The first EP released, Pools To Bathe In, begins with a track with the same title. Background sound effects and then a catchy riff bring in the song, showing us a signature of Amber’s music. The use of multiple layers creates an auto-tuned or electronic effect on her voice that somehow still feels raw and real. Probably because it is simply layers upon layers and not vocal correction. The song takes the listener through what may at first seem to be an unstructured path of lyrics and sounds but as you let the song sink in, it forms a smooth but interesting route built straight from the mind of the artist. Each song holds poetic writing and excellent use of sound but my favourite track on this EP, and maybe even in the whole of The Japanese House’s current collection, is the 3rd track named Still. From the slow rhythm of the verse to the expressive words that open up Amber’s head to the audience, this track allows anyone hearing it to be taken somewhere other than where they are.

As you listen to each song in this EP, there is somehow a unified sound yet every song has its own impact and signature. It is rare to find an artist who can deliver music that can hold broad appeal yet stays true and doesn’t feel manufactured.


The same could be said for the latest EP release, Clean. Holding firm to her unique style, but with a less intense electronic feel and more conventional instruments, Amber treats us to another slice of her talent. And what a slice it is. The first track somehow manages to take the listener to that same ethereal place in our mind despite the more upbeat feeling to the track. But I think that is something everyone who listens will grow to recognise as The Japanese House’s defining ability. To harmoniously bring together the pleasant and bright mood of the music with the melancholy of the lyrics.

Cool Blue is undoubtedly the catchiest track on Clean and somehow fills me with nostalgia despite not sounding like anything I listened to when I was young. The tone changes for the last two tracks, the light mood of the music replaced by a sound that seems more appropriately matched with the lyrics.

The way the EP is balanced shows to me the immense talent held by Amber Bain. The music made by The Japanese House manages to fit multiple moods and occasions. I look forward to a full album from a mind that has already provided such great music.


The Devil and God Are Raging Inside Me


 Today I am reviewing Brand new’s album The Devil and God Are Raging Inside Me which, even 10 years after release, I believe should be a staple of many a person’s music collection. Brand new formed in 2000, consisting of Jesse Lacey, Vincent Accardi, Garrett Tierney and Brian Lane. They released their album Your Favorite Weapon in 2001 which set them firmly in the punk rock genre. Their clever lyrics and catchy hooks made for an exciting first album. 2003 brought the release of Deja Entendu and a big change for the band in terms of style. Deja Entendu is French for “already heard” and was a playful quip at music fans who compare new music to old saying that it’s all the same. Many considered Deja Entendu to be a more mature album than Your Favorite Weapon, moving on from the angst of breaking up and onto more serious matters of regret and control.


Instagram @dontstayinside


 Fast forward three years and that brings us to the release of The Devil and God Are Raging Inside Me. This review is unfair in some ways as it comes so many years down the road that I have had the chance to personally attach to the record. It is one of my favourite records and always will be. This could be because in true Lacey fashion, the lyrics feel personal and you wonder as you listen, what he could have gone through. The words come out as a poignant reminder of specific times in your own life, sometimes without even relating directly to those experiences.

The first song on the album, called Sowing Season (Yeah) provides a calm, almost acoustic feeling verse. This mellow aura is abruptly torn in two by the heavy chorus, giving you an immediate taster of the album to come. The whole song prepares the way for the rest of the album but holds its ground as a song that stands out. Millstone, the next song on the album, continues to lay the path with statement lyrics. Everyone will undoubtedly find something in this song that hits home.

Unmistakeably the principal song of the whole album, and my personal favourite, Jesus Christ shows Jesse Lacey’s ability to write about more than broken hearts. Speaking directly to Jesus, the band asks questions and makes declarations that are compelling and heavy. Whether or not the listener has questioned religion before, they most certainly will hear the importance of this song.

The haunting music and palpable melancholy continue to hold fast through the next few tracks, occasionally interrupted by bouts of aggression and anger backed up by loud, dramatic, but somehow melodic arrangements. You Won’t Know and Welcome to Bangkok deliver a something that is a little harder to swallow, causing the album to fall ever so slightly short in the middle. With the insight afforded to me by reviewing an album so late after it has been released, I can now see that these songs are a preview of things to come in the next album, Daisy, which was at best, tough to listen to. Even Lacey stated in an interview that it was uncomfortable album to listen to.

Brand new brings the audience back with another favourite, Not The Sun and continues strong right up to the end. Overall the album is a success, if you consider an album devoid of any hope or happiness a success. It is clear throughout the entire album that the band were struggling in their lives but they managed to transfer that into a fantastic album full of emotion and honest lyrics. Perhaps not every song lived up to the overall standard of the record but overall the boys should be applauded for creating a song that somehow plants its feet firmly within not only the emo genre but also reaches out and appeals to so many others.

Thank you for taking the time to read my review, please comment below and let me know what you thought. Tell me what your favourite song was if you listened to the album or even let me know if you would like me to review your favourite album. I hope everyone who reads my blog took up my challenge to listen to the album and give music a chance even when it isn’t to your taste and let me know if you managed that challenge!